SIRARPIE DER NERSESSIAN'S ART HISTORY METHODOLOGY

dc.contributor.author Demirok, Canan
dc.date.accessioned 2024-05-25T11:19:39Z
dc.date.available 2024-05-25T11:19:39Z
dc.date.issued 2018
dc.department Okan University en_US
dc.department-temp [Demirok, Canan] Istanbul Okan Univ, Sanat Tasarim Mimarlik Fak, Sanat & Tasarim Yont Bol, Istanbul, Turkey en_US
dc.description.abstract In this research; details of the art history research methodology used by Sirarpie Der Nersessian, the historian of the Byzantine and Armenian art, in academic publications were identified and understood to be a three-stage method of technical, artistic and iconography. This finding was provided by Der Nersessian's academic publications, which contain methods based on different academics. In this respect, Der Nersessian's methodology of 13 articles, 3 bibliographies and 1 book publication explains how a comparative analysis of art history-specific scientific researches and a method developed at the limits of the formalist reviewer were developed. Selected publications have been handled chronologically in order to examine Der Nersessian's systematic method and the sources that he used in his publications and the academies involved in the research method have been examined. By this study it has been understood that Byzantine, Armenian, Georgian, Turkish, Slavic, Arabic and Syriac arts dated to certain centuries intervals can be obtained definite judgments from the findings if they are examined separately from the disciplines of theology, history and linguistics by comparative method. In the conclusion section of the research; Sirarpie Der Nersessian's three-stage research method has been extensively identified. In this context, it is stated that Bertay Gospel, Tetravangelia Paris 74, Etchmiyadzin Gospel, II.Basil Menologion, Nicodemus Gospel, Smpad Armenian Chronicles, Paris Gr.510, Barlaam and Joasaph's novels are investigated with this method. en_US
dc.identifier.citationcount 0
dc.identifier.doi 10.29135/std.434647
dc.identifier.endpage 466 en_US
dc.identifier.issn 1300-5707
dc.identifier.issn 2636-8064
dc.identifier.issue 2 en_US
dc.identifier.startpage 451 en_US
dc.identifier.trdizinid 329303
dc.identifier.uri https://doi.org/10.29135/std.434647
dc.identifier.uri https://hdl.handle.net/20.500.14517/438
dc.identifier.volume 27 en_US
dc.identifier.wos WOS:000595942000008
dc.institutionauthor Demirok, Canan
dc.language.iso tr
dc.publisher Ege Univ en_US
dc.relation.publicationcategory Diğer en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.subject Sirarpie Der Nersessian en_US
dc.subject art history en_US
dc.subject methodology en_US
dc.subject Armenian art en_US
dc.subject Byzantine art en_US
dc.title SIRARPIE DER NERSESSIAN'S ART HISTORY METHODOLOGY en_US
dc.type Review en_US
dc.wos.citedbyCount 0

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